When considering narrative style, I
would like to focus on the qualities of Esther as our narrator. Although Esther
seems to embody the qualities of a sort of omniscient observer, as that of
Lucy, she appears to be less judgmental and quick to stick to first
impressions. She seems to have her own opinions, such as the identity of the
lady in the veil, but she is open to listening to and considering what others
have to say. Due to her personal demeanor as quiet, observant and inwardly
drawn and focused, along with trustworthy, she seems to be the ideal narrator
for our story. However, with a story so complex, with all of its distinct
characters and sub plots it is impossible to have one character witness all of
the action, hence the omniscient overview of all the characters. This is still
a very popular style even today, such as in the works of the Harry Potter
novels, and seems to be a reaction against works of others such as the Bronte
sisters who employ a single narrative style with focus on the feelings,
thoughts and observations of the protagonist.
Now when considering action and plot
construction, it really intrigues me that not only is this Esther’s story, it
is the story of all those in Jarndyce and Jarndyce and the whole of London and
its surrounding communities at large. This is an effective technique for
gaining the attention of the audience in that the actions of one character are
not the constant focus, thereby gripping the reader to continue to learn the
fate of each character. In addition, this technique is not very prevalent in
the following century, especially with the modernists and up through the
current post modern movements, with focus on the fate of a single individual
who comes to interact with others throughout the story. I also find the
withholding of information, which in this case predates Hemingway’s “Iceberg
Theory”, to be another effective technique that Dickens utilizes. By
maintaining an air of mystery for much of the novel with regards to the
Jarndyce case and adding other elements of mystery such as disguises, secret
letters, etc Dickens is able to not only engage in the story in both an active
(drawing conclusions, making assumptions and connecting information) and
passive way (absorbing information, following complex narrative lines, etc). Finally,
with specific emphasis on plot construction, Dickens employs one final
technique that, in my view, gives the novel a sense of realism that has thus
far been absent from Victorian works we have studied. In Dickens portrayal, he
includes all walks of life from children to adults, poor to rich, men and
women, etc. This provides a broad overview of the economic, social and
political forces of the time unlike the portrayal of only middle class white
society with comfortable means of living and no real societal problems other
than marriage for security. Dickens, instead, attempts to portray the wide disparity
between those who have everything and those who have nothing, as was the actual
reality as a result of industrialization.
I agree with you about Dickens and realism. Dickens is relentlessly realistic (except, perhaps, when it comes to coincidences and issues of family origin), and as I've been saying in class, his contemporary readers were made very uncomfortably by his unflinching depictions.
ReplyDeleteI thought of a couple of other novels that confront women's issues more directly and critically: Gaskell's Mary Barton and Eliot's Felix Holt.
Uncomfortable, not uncomfortably.
ReplyDeleteYou mentioned that the plot of the story did not focus on the fate of just one person unlike modernest writings. What I thought was interesting was the way each character seemed to not have anything to do with another in the beginning of the book but as we read on Dickens brought the characters across each others tracks more and more and what unfolded was a community of characters fairly close in common if not for the main part of the plot bringing them together (Jarndyce and Jarndyce) they would have never known anything about each other. I also liked the way Dickens used "the iceberg theory" to bring all these characters together. He leaves hints at the end of chapters that so and so might be related to so and so and then he jumps to a completely different character; although this works to keep the reader intrigued it can also be frustrating. Just when we think we know what is going on he takes us to a completely different story. He does, however, please his audience in the end by bring all of the stories together.What is also interesting is the realism in the book; characters like Jo and Catherine would never have been considered if Dickens's plot wouldn't have wound them in somehow. I feel like this is what makes his books the most interesting and it probably helped sell them in their time because people from many walks of life (that could read or be read to) would have related to his characters.
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